From the perspective of people who categorize music by genres and types, Evan Shornstein, better-known under his production moniker Photay, has created lots of different kinds of sounds over the past decade. There’s the Hudson Valley-raised, Los Angeles-based multi-instrumentalist composer’s quasi-IDM and electronic almost-pop tracks with the occasional vocal; the improvised organic and and experimental music sessions he participates in alongside new age giants, Laraaji and Carlos Niño; the diaspora electronic folk-jazz he makes with veteran musicians from all over the globe; and the disco and house adjacent records he tag-team DJs with Brooklyn producer Cesar Toribio and engineer Phil Moffa (who also masters all of Photay’s records — and those of dance-music dons around the world). But if you’ve listened closely to Shornstein’s prodigious output, you know that separating and classifying the work is actually contrary to the energy of Photay music. That what on-the-surface may lazily appear as differences, is actually brought together by a shared sonic warmth, a hardware pastoralism at play. Whatever category he engages, Photay makes outdoor music under the spell of the elements, for the purpose of different human movements — some physical, some spiritual, some emotional, some philosophical.
Making some serious noise in the Northeast, U.S. music scene, Rigometrics (Portland, ME) provides an original, raw high-energy rock n’ roll sound that’s transformative and undeniably unique. Their signature blend of multiple genres seamlessly unites classic rock with a contemporary edge, comprised of explosive guitar solos by Josef Berger effortlessly shredding through intricate melodies; Derek Haney providing a foundation through pulsating beats on the drums, and Keenan Hendricks hitting an extraordinary vocal range with hammering piano skills. Together, the three-piece band delivers performances that leave diverse audiences in awe and garner a dedicated fan base.
~ Rigometrics: Portland, ME
DOORS 7PM SHOW 8PM | $15ADV $18DOS| 21+
Shut Down Brown is a live funk band from Portland, Maine that blends 90s R&B with 70s soul. Their style is characterized by improvisation, on-stage communication, and big horns. They are known for their raunchy grooves and their motto is “Big time, Good time”.
Guitar slung low, microphone turned up, and emotion overflowing, Joe Samba taps into rock ‘n’ roll spirit and reggae soul all at once. The Massachusetts-born singer, songwriter, and guitarist sonically teeters on an axis of island-inflected grooves and gritty guitar-craft balanced by his dynamic vocals. He finds the sweet spot between smoked-out Caribbean bliss and sweat-soaked punkified energy. It’s why he’s quietly emerged as a phenomenon, toppling charts at #1 and performing alongside everyone from The Dirty Heads to Pepper.
However, he’s primed to unite not only genres, but people as well through a series of 2023 releases and much more to come.
“No matter what walk of life you’re from, I’d love for you to hear the conviction in my music,” he notes. “I hope you think, ‘This dude meant it’. Maybe you relate to what I’m singing about or just cut loose for a little bit. I just write songs and try to connect with people.”
He recognized music’s inherent power to connect as a kid. Dad played bass in a local favorite funk band, while his two older brothers followed suit by picking up the same instrument. At barely seven-years-old, pops pulled Joe up on stage and he busted out a wild rendition of “I Feel Good” by James Brown, leaving the crowd speechless and, unassumingly, deciding his fate. As a teen, he even played at the Boston date of the Warped Tour in his metal band. Post-high school, he cut his teeth by performing in countless bars and watering holes solo. 2019 saw him make a major splash with The Wrong Impression. It bowed at #1 on the Billboard Reggae Albums Chart and clocked over 2 million streams.
At the onset of the Pandemic, he fell in love with Key West and relocated, gigging in bars around Duval Street and writing as much as possible.
“I moved because it’s absolutely beautiful,” he grins. “It felt like the end of the world, but I was in this amazing town. I found comfort in knowing if everything blew up in my face, I could drink a Corona in the Keys and keep jamming.”