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Calendar

May
25
Sat
Portland Farmers’ Market at Deering Oaks Park @ Deering Oaks Park
May 25 @ 7:00 am – 1:00 pm
Portland Farmers' Market at Deering Oaks Park @ Deering Oaks Park | Portland | Maine | United States

Summer 2024:

Saturdays & Wednesdays 

April 20,  2024- Nov 27, 2024

Deering Oaks Park, 7*am-1pm.

*November markets will open at 8am.

Weekend Brunch at Alto Terrace Bar and Kitchen @ Alto Terrace Bar and Kitchen
May 25 @ 9:00 am – 2:00 pm
Weekend Brunch at Alto Terrace Bar and Kitchen @ Alto Terrace Bar and Kitchen | Portland | Maine | United States

Saturday & Sunday Brunch!

We feature a weekend brunch for everyone to enjoy.

Join us from 9:00 a.m. -2:00 p.m. every Saturday and Sunday.

View the menu and make reservations here

ANGELS IN AMERICA PART ONE: MILLENNIUM APPROACHES @ Portland Stage
May 25 @ 2:00 pm
ANGELS IN AMERICA PART ONE: MILLENNIUM APPROACHES @ Portland Stage | Portland | Maine | United States
Pulitzer Prize for Drama,
the Tony Award for Best Play,
and the Drama Desk Award for Outstanding Play.
ANGELS IN AMERICA
Part One: Millennium Approaches
by Tony Kushner
with Joseph Bearor, Paul Haley,
Robbie Harrison, Michela Micalizio,
Denise Poirier, Nate Stephenson,
Casey Turner and Ashanti Dwight Williams
directed by Keith Powell Beyland & Peter Brown
Louis abandons his lover. Prior becomes a prophet. Harper visits Antarctica. Joe questions his Mormonism. Belize offers kindness and care to an unlikely patient. Six New Yorker’s lives intertwine at the height of the AIDS crisis. Confronting politics, spirituality, and sexuality with sharp humor and a sage observational eye, this great American epic shows us how community and connection can be forged in even the darkest of times.
DRC is thrilled to parner with Portland Stage to present this masterwork of American theatre.
Live Music with DJ Father Tish at The Porthole @ The Porthole
May 25 @ 6:00 pm – 10:00 pm
Amos Lee Transmissions Tour at State Theatre @ State Theatre
May 25 @ 8:00 pm
Amos Lee Transmissions Tour at State Theatre @ State Theatre | Portland | Maine | United States

Amos Lee

“There’s a lot of existential stuff in these songs,” says Amos Lee. “If you really listen to what’s in between the lines, there’s a lot of grappling with your place in the world, grappling with loss. There’s a lot of grappling with the balance between bailing out the boat and rowing at the same time—the experience of writing music and playing songs while trying, as we all are right now, to make sense of a world that feels like it’s changing really quickly.”

On his eleventh studio album, Transmissions, singer-songwriter Lee continues to expand his sonic range while sharpening his closely observed lyrics that squarely address death, aging, and love. The force behind such acclaimed albums as Mission Bell and Mountains of Sorrow, Rivers of Song, ever since his gold-selling 2005 debut Lee has been known for his association with a long list of collaborators and touring partners, from Paul Simon to Zac Brown Band.

For the new project, he craved a return to an old-school style of recording, working with his longtime band in a studio in rural Marlboro, New York that was built by drummer Lee Falco and his dad out of reclaimed wood from an old church (“it’s exactly what you’d think a studio in upstate New York should be,” notes Lee). Playing live on the floor for long hours, in close quarters, they were able to capture the album’s twelve songs in less than a week.

“I really wanted us to be all in the room, making music together, listening to each other and responding to each other,” says Lee. “In this age where you can do everything at home and fly it in, there’s something really beautiful about getting in a room and starting at the top, the drummer counting in the song and everybody just playing. I would call it vulnerability.”

Despite the simplicity of the set-up, though, Lee also augmented the band’s soulful, folk-funk sound with arrangements that extend the scope of some songs. “I’ve done a lot of shows over the past few years with orchestras,” he says, “and I wanted to find a way to have miniature moments that could represent those experiences. If you listen to the end of ‘Night Light,’ or ‘Built to Fall,’ there are moments that express those ideas of collaboration and orchestration.”

Transmissions marks only the second time that Lee has produced his own album (following 2016’s Spirit), a daunting challenge even for someone so familiar with the musicians. But he was determined not to overthink or over-complicate the task.

“As a producer, I had to have a clean and clear vision of what I wanted before I went in,” he says. “Especially now that I’ve done ten albums. I’m not lighting a bunch of candles and trying to conjure the spirit—it’s either there or it isn’t. And it was there from Day One. We were playing the song ‘Beautiful Day,’ and I thought, ‘Okay, here’s a song I have a demo for, but I don’t have a full version in mind. I’ve never played it with anyone, I’ve never shown it to anybody, and it’s a bit of a weird, herky-jerky tune.’ And the bass and drums kicked ass, the guitar playing is really cool—so yeah, I felt it from note one. I was never in doubt.”

The’ last few years have been wildly productive for Philadelphia native Lee. After 2022’s Dreamland album (which featured “Worry No More,” a Top Ten AAA hit and his biggest single in over a decade), he followed up with two full-length projects paying homage to musical heroes—My Ideal: A Tribute to ‘Chet Baker Sings’ and Honeysuckle Switches: The Songs of Lucinda Williams. He expresses his awe for these two renegade artists; Williams for her incomparable language and Baker for his delivery. “I love songs that have the ability to expose a wide range of emotions in a short song,” he says. “That’s what my favorite songs always do.”

The Baker album in particular had a strong influence on Lee as a vocalist. “I didn’t grow up singing anything other than what was on the radio,” he says, “and when I started playing guitar, it was John Prine and Dylan and Bill Withers and this classic songwriter stuff, but also all this ‘90s R&B that I loved. I’d never approached what we’re calling jazz—the classics, the songbook—and listening to Chet singing and singing along with him was like, ‘Oh, my God, how is he doing this?’ It was like taking a master class in control and where to use your voice. That level of singing, that level of musicianship, was hugely inspirational—you don’t have to sing loud all the time. You can be really vulnerable, and soft, and really be at your best.”

Transmissions is Lee’s first release of original music on his own label, Hoagiemouth Records. “It’s just a sign of the times,” he says. “Things have really changed for someone like me, and I’m going to adapt. I always wanted to have some kind of small label, so it’s a cool opportunity.” (The imprint is distributed through the Thirty Tigers company, which Lee is especially excited about since he and president David Macias are friends through fantasy baseball.)

Fresh off of some dates with Willie Nelson and heading into a co-headlining tour with the Indigo Girls, Amos Lee notes that his attitude about being embraced by his peers and his idols has transformed over the years, and that his gratitude deeply informs the emotions throughout Transmissions.

“I just appreciate everything a lot more now,” he says. “When you’re younger, you get it, but you don’t really get it because you’re like ‘Oh, cool—my first tour ever and I’m opening for Bob Dylan? Cool.’ Or Norah Jones, the biggest artist in the world, bringing you out right off the street. How do you appreciate that? I was just sort of clueless, honestly. Not out of malice, but you have no context.

“So now I’m just grateful to have a career,” he continues. “I’m grateful to be asked to share the stage with folks who I respect and admire and love and want to learn from and want to support. Now it’s about really being present while it’s happening and knowing that this is not promised, none of this is destiny. It’s a lot of chance. So I’m making sure to really enjoy and appreciate all these opportunities.”

Karaoke at East Ender @ East Ender
May 25 @ 8:00 pm
Karaoke at East Ender @ East Ender | Portland | Maine | United States

We do karaoke every night!

Join us in the MiniBar on the first floor for Karaoke. We have an inclusive, supportive and positive karaoke culture that pairs nicely with a cheeseburger or salad. If karaoke isn’t your thing we have The Hideaway Bar upstairs with plenty of cozy nooks to relax with a drink. Come see what the hubbub is about!

Saturday Sessions at Henry’s Public House @ Henry's Public house
May 25 @ 9:30 pm – May 26 @ 12:30 am
Saturday Sessions at Henry's Public House @ Henry's Public house | Portland | Maine | United States
Every weekend come and groove with us at Saturday Sessions with DJ Jay-C, where the pulsating rhythms merge seamlessly with the tantalizing taste of our handcrafted cocktails in an upscale lounge setting, creating a night of elevated beats and unforgettable memories that will delight all of the senses!
May
26
Sun
Weekend Brunch at Alto Terrace Bar and Kitchen @ Alto Terrace Bar and Kitchen
May 26 @ 9:00 am – 2:00 pm
Weekend Brunch at Alto Terrace Bar and Kitchen @ Alto Terrace Bar and Kitchen | Portland | Maine | United States

Saturday & Sunday Brunch!

We feature a weekend brunch for everyone to enjoy.

Join us from 9:00 a.m. -2:00 p.m. every Saturday and Sunday.

View the menu and make reservations here

ANGELS IN AMERICA PART ONE: MILLENNIUM APPROACHES @ Portland Stage
May 26 @ 2:00 pm
ANGELS IN AMERICA PART ONE: MILLENNIUM APPROACHES @ Portland Stage | Portland | Maine | United States
Pulitzer Prize for Drama,
the Tony Award for Best Play,
and the Drama Desk Award for Outstanding Play.
ANGELS IN AMERICA
Part One: Millennium Approaches
by Tony Kushner
with Joseph Bearor, Paul Haley,
Robbie Harrison, Michela Micalizio,
Denise Poirier, Nate Stephenson,
Casey Turner and Ashanti Dwight Williams
directed by Keith Powell Beyland & Peter Brown
Louis abandons his lover. Prior becomes a prophet. Harper visits Antarctica. Joe questions his Mormonism. Belize offers kindness and care to an unlikely patient. Six New Yorker’s lives intertwine at the height of the AIDS crisis. Confronting politics, spirituality, and sexuality with sharp humor and a sage observational eye, this great American epic shows us how community and connection can be forged in even the darkest of times.
DRC is thrilled to parner with Portland Stage to present this masterwork of American theatre.
Stolen Mojo Trio at The Porthole @ The Porthole
May 26 @ 2:00 pm – May 29 @ 5:00 pm
Stolen Mojo Trio at The Porthole @ The Porthole | Portland | Maine | United States

Live Music with Stolen Mojo Trio at the Porthole